dalearrangements.com

Welcome!

Thanks for visiting...

​I hope you find what you're looking for!

Contact Me With Questions
  • Home/Blog
  • Master List of Dale Arrangements
  • About These Arrangements
  • Learning Tracks
  • PURCHASE 1-YEAR DALE TRACKS SUBSCRIPTION
  • How to Purchase Sheet Music
  • Custom Work, Instruction and Coaching
  • Copyright Info
  • About Me
  • Questions? Contact Me
  • LDS Arrangements Page
  • Donate
  • ACAPPELLA IN THE HEARTLAND May 27, 2022,
  • test

A Duffle Bag O' Tricks - INVERTING UP THE 2ND OR 3RD TIME

9/17/2014

1 Comment

 
Just finished another song - an uptune for the Westminster Chorus... and I realized again how I always seem to come back to the same "tricks" and techniques when navigating through a new arrangement.  The ups and downs are there no matter what, and it never gets any simpler.   However, it has become smoother over the years - primarily because much of my process stems from some good habits I come back to each time.  Much of it is now instinctive with every new chart; however, being the OCD-type person I am (I don't separate my food, but I smoosh it all together in organized piles like Richard Dreyfuss), I have started compiling my own bag (quite a big and dusty bag) of tricks and reminders to follow during the arranging process.   I certainly don't remember them all for every chart, and I don't need them for each new song, but I've found myself using these over and over again... so much that I felt I should write them all down - in case some day my memory fails and I forget who I am... at least then I'd still be able to piece together a chart of Sweet Adeline!

So, considering the cool arranging resources already available ("BHS Arranging Manual", "A Cappella Arranging" co-authored by Deke Sharon and Dillon Bell, to name a couple), I don't want to clutter that library of good stuff with any official declarations that "this is how it must be done".  I'm just sharing my stuff for you however you want to use it.   Arranging is a fun process!  Whether arranging vocal or instrumental music (or arranging the furniture in your room) it can become an obsession!   Everyone has their own creative process driving each new piece of music.   We all borrow from each other, and influence each other.  Maybe  you're reading this for kicks - and you don't care about all this arranging stuff.  Or, maybe you are secretly hoping to feel normal...and take comfort in the fact that there are other people out there just like you (secretly writing melodies and rhythm on napkins at parties, etc)....people who know what it's like to be in the trench of artistic design in an arrangement... obsessive...extreme...crazy....  letting your food go cold while spending hours and hours deliberating over one measure.  Yeh,  you know that feeling!   And if you don't, then I guess all this does seem weird to you.   

So, if interested, add these to your bag o' tricks....or use them as a source of  boring late night reading.  I don't care what you do with it.... just realize there are people like us out there!  We exist...the arrangers, the extremists... the creators... some of the most obsessive artists you'll ever meet, but glad to admit it!

By the way - disclaimer:   Though my OCD-ness applies to most of my life, the stuff I'm sharing is currently in no  particular order  - it's all just random as I have written them down over the years.  Feel free to be annoyed all you want - just don't take it out on your dog or kids... (cats okay).

Now...taking a dip in the bag today, I pull out this one: 

INVERTING UP THE SECOND OR THIRD TIME 

If that's greek to you, turn back now.   Simply put, when you have stated a musical phrase, and your chords are all nice and tight and generally low the first time around, you can take that baritone and tenor part and invert them up the next time or two.  Start low, invert up, invert up.  Not to mean you should make it crazy high and  un-singable (guilty! been there, done that), but just find reasonable ways to build excitement through the chords inverting up as you head through the chart.   Same can work inverting down... but that also can lose energy and cause a reaction you may not want from the audience (if thinking about the culminating performance - as you SHOULD).     I'll use examples from my own stuff as it's readily available (shameful, I know)...so here you go.    

In my chart of "You're Sixteen, You're Beautiful, and You're Mine", each time the lyrics state "YSYBAYM" the arrangement does just this... starts low,  inverts up, and inverts up again (I did some other stuff too, like added a swipe, etc, but that's for another dip in the bag).  The inversions help build interest (IMO) and help the song. That's all - more to come later.   See below, and/or watch/listen here:
Picture
Picture
Picture
1 Comment
Jay Bartlett
9/18/2014 02:22:31 pm

Thank you

Reply



Leave a Reply.

    Blog Categories

    All
    Barbershop
    Choral Music
    Family
    Kvu
    Miscellaneous
    Videos

    Blog Archives

    September 2021
    December 2020
    September 2020
    August 2020
    October 2019
    December 2018
    June 2018
    May 2018
    April 2018
    March 2018
    January 2015
    November 2014
    September 2014
    July 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    May 2013
    April 2013
    March 2013
    January 2013
    December 2012
    August 2012
    July 2012
    May 2012
    March 2012
    February 2012
    December 2011
    November 2011
    October 2011
    August 2011
    June 2011

    RSS Feed



Copyright © 2013 Aaron Dale - 213 Ruby Drive - Elizabethtown, KY - 42701 - aaronkdale@gmail.com
Photos used under Creative Commons from wonker, sanbeiji